8/10/2023 0 Comments Crossover definition musicSarah Brightman, called the best-selling soprano of all time, is considered a crossover classical artist, having released albums of classical, folk, pop and musical-theatre music. This also applies to classically trained instrumentalists, such as Vanessa Mae, Bond, Escala, Sterling EQ and Catya Maré.Ĭonversely, the aspiration of pop singers to develop the stamina, musicality and charisma for opera singing was exploited in 2010 in the ITV television series aired in the UK, Popstar to Operastar, won by Darius Campbell. His four albums and subsequent appearances have straddled pop, classical, musical theatre and religious television fields. Classically trained, Rhydian appeared in the UK version of the pop talent show X Factor (4th series, 2007, placed second). The aspiration of classical singers to appeal to a wide pop audience is exemplified by the career of Rhydian. An iconic collaboration between the late Freddie Mercury and Montserrat Caballé resulted in the worldwide hit " Barcelona". More recent examples include "Genuine Imitation Life" from Genuine Imitation Life Gazette (1996) by The Four Seasons, as well as Metallica's S&M (1999).Ĭollaborations between classical and popular performers have included Sting and Edin Karamazov's album Songs from the Labyrinth. Other pioneering works include The Moody Blues's Days of Future Passed (1967), Deep Purple's Concerto for Group and Orchestra (1969) and Gemini Suite Live (1970) as well as Rick Wakeman's Journey to the Centre of the Earth (1974) and The Myths and Legends of King Arthur and the Knights of the Round Table (1975). A seminal early example is Une Nuit A Paris, a seminal mini rock opera from The Original Soundtrack (1975) by 10cc. Pop singers have consistently sought to attain a symphonic or operatic dimension in their writing and performance. This laid the foundations for classical crossover as we know it today. The Three Tenors was a landmark concert in which Pavarotti, Carreras and Domingo brought a combination of opera, Neapolitan folksong, musical theatre and pop to a vast television audience. Soprano Eileen Farrell is generally considered to be the first classical singer to have a successful crossover recording with her 1960 album I've Got a Right to Sing the Blues. Two examples of this are Lesley Garrett's excursions into musical comedy, and also José Carreras's recording West Side Story, as well as Teresa Stratas's recording Showboat. Within the classical recording industry the term "crossover" is applied particularly to classical artists' recordings of popular repertoire such as Broadway show tunes. The largest figure to date for a crossover hit has come from Grammy Award-winning country singer LeAnn Rimes, whose song " How Do I Live" sold over 3 million copies and spent a world record breaking 69 weeks on the Hot 100 chart, more than any other song in history, despite peaking only at number 2. Even atonal music, which tends to be less popular among classical enthusiasts, has a kind of crossover niche, since (as Charles Rosen has noted) it is widely used in film and television scores "to depict an approaching menace." For instance, Sacred Harp music experienced a spurt of crossover popularity as a result of its appearance in the 2003 film Cold Mountain, and bluegrass music experienced a revival due to the reception of 2000's O Brother, Where Art Thou?. In practice crossover frequently results from the appearance of the music in question in a film soundtrack. These covers were popular with a much broader audience. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists (such as Pat Boone) in a more toned-down style (often with changed lyrics) that lacked the hard edge of the original versions. In some contexts the term "crossover" can have negative connotations, implying the watering-down of a music's distinctive qualities to accommodate to mass tastes. The term is also used within the music industry to refer to a marketing strategy with this goal. Crossover is a term applied to musical works and performers that achieve popularity with mainstream audiences beyond the usual listenership of their particular genre.
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